Review: And the Wind Sees All – Guðmundur Andri Thorsson

011 - And the Wind Sees All

011 - And the Wind Sees All

★★★★

One of my many mini-challenges to myself in 2019 is to read more translated fiction, and a good place to start with any translated fiction is publishers which specialise in it. As I always seem to go for the same few publishers for translated fiction I decided to do a bit of research and branch out this time around which is how I discovered Peirene. I had previously heard of them, but just never picked anything up from them (so they disappeared from my memory, bad Ashleigh.) Anyway, I decided to go over to their website to see what they had on offer and was happy to find a number of books from countries I’ve never read before. Including this little gem from Iceland.

The blurb says that this book all takes place in 2 minutes, and that is sort of the case. What I thought it was and what it became were very different things in that I thought it was from one persons perspective, but it wasn’t. The book is a series of vignettes, from a series of individuals who all have one thing in common – the village in which they live. The main thread of the book is that the narrative takes place over a two minute bike journey which Kata – the choir conductor – takes through the village to the concert that evening. Each vignette from there is a snapshot in to the life of different villagers – some she encounters herself, others who observe her from their homes – sometimes we’re in the present but often we’re in the past.

With chapter exploring a different person it becomes more interesting the further in to it you get. I love seeing how characters from one persons past fit in to another past, or hearing a story from the other side of the fence. It really does bring the village alive, everyone is involved in everyone elses lives in one way or another. People have secrets, people have pasts, some people left the village and inevitably find themselves coming back, others have come to the village with no previous ties to it to escape from the city.

The writing in this book, and therefore also the translation, were beautiful. Parts of this were so, so poetic. I loved the more atmospheric descriptions of the landscape and whatnot, I’m a sucker for beautifully described nature and this was spot on for me. If this is the quality of all books published by Peirene I absolutely cannot wait to get my hands on my next one from them (and bonus, some of the eBooks are 99p on the Kindle store at the moment, which cannot be snuffed at).

Review: Her Body and Other Parties – Carmen Maria Machado

005 - her body and other parties

005 - her body and other parties

★★★★

Something I want to do in 2019 is get back in to Short Story Collections. I love a short story collection and they were woefully absent from my reading last year. So when I tasked my sister to pick a few books for me and she picked this up I was very excited. Not only because yes, the cover is that green, but because the content sounded right up my street.

The stories in this collection are fantastic. They’re fabulist, magical, feminist and queer. There’s not a lot to dislike if I’m honest. There was one story that didn’t really engage me, and it seems to be a common theme among readers of this collection, and it’s the one which is an episode-by-episode account of Law and Order. As someone who isn’t a Law and Order fan that was a miss for me. But the rest of this collection? Amazing.

There are so many unreliable, but interesting narrators in here with stories which just err on the side of the fantastic but are grounded in reality. We have a woman who is documenting her survival in a devastating epidemic by her sexual encounters, in another story we join a woman who works in a clothes shop in a world where women are fading out of existence. There’s one story, Mothers, which is so out there it’s hard to follow and very open to interpretation; it’s the best example in the whole collection of the unreliable narrator in that our protagonist is handed a baby by her female ex-lover and it’s hard to follow what’s real and what isn’t after that event.

All of the stories in this collection are raw, gritty and at times difficult to read. But it’s fantastic and genuinely one of the most well put together collections I’ve read in a long time. It reminded me why I love short stories so much. It was the perfect blend of reality and magical, it’s feminist, it’s queer, it’s sexy. It’s a lot of things. I wouldn’t say this is the easiest collection to read, not when there’s elements of abuse and sexual violence interspersed throughout but it’s definitely a great book and one I’d recommend to people in the future.

Review: The Winter of the Witch – Katherine Arden

008 - the winter of the witch

008 - the winter of the witch

★★★★

It is absolutely no secret that I love this series, and this book has been at the top of my most anticipated releases since I finished book 2 in the Winternight series. I will start with saying that the series as a whole from me would get 5 stars but this book didn’t satisfy me in a way I had hoped it would.

It’s hard to review sequels – especially in a trilogy as far spanning as this one – without giving any spoilers away. This book picks up right in the action where the second book ended, and it definitely started as a 5* read. It was fast paced, exciting, starting to tie up loose ends and I loved it but I feel that some of it was unnecessary and ruined the plot for me. There is a lot going on in this book and at times, the action felt drawn out. Other times, I wanted it to move a little faster.

I love how Arden has blended medieval Russia and her fantasy world so seamlessly, I love how history, mythology, folklore and fairy tales have all been blended together. I found the afterword and the historical context to the series genuinely really interesting – not something I can often say about an afterword. I just feel there was something missing here, or maybe it was that there was too much to cram in to one final book, which left it feeling unresolved.

Vasya continues to be a fantastic character in this book; all the things I’ve loved about her in previous books come to a head and I felt in this book she became herself. She embraced all of her powers, and she owned them. She made decisions and stood by them. Everything she did she did of her own volition. Yet throughout the book her family is her main driving force, and I love that. I will say that there are a couple of scenes in which characters die – and those were intense, Vasya’s reactions were intense and believable and I felt emotionally invested in her.

Overall I felt this wasn’t the perfect ending at least for me. I will say it was a fantastic read, and I read it in the space of an afternoon. I just think it could have done with a bit of editing down, or a fourth book to properly develop some ideas. As with all the books in this series I listened to this as an audiobook and followed along with a print version and would very highly recommend this series on audio because it, somehow, makes it feel cosier. Perfect winter afternoon read in my eyes and I can’t wait to reread the series over the space of a weekend next winter!

Review: Heroes – Stephen Fry

003 - heroes

003 - heroes

★★★★

After listening to Mythos last year and really enjoying it I knew I had to have Heroes as soon as it was announced. It was one of the few audiobooks I preordered last year. So naturally it’s one of the first books I picked up in 2019 as I knew it was going to be good. I really wasn’t disappointed.

Heroes follows the everyday people of Greek mythology – not that the everyday people were ever less interesting. But rather than Gods themselves it’s their children, and demi-gods that this book focuses on. What I love about Greek myth, and especially how Stephen Fry has reworked them, is how much they all interlink in to each other. It’s often hard to tell where one narrative ends and the next begins because the transition happens so seamlessly.

There are so many myths that are familiar in here; the labours of Hercules/Heracles, Theseus and the Minotaur and the story of Oedipus to name but a few. The way Stephen Fry has reworked these and put an almost modern narrative on top of them is really a joy to read (or rather listen to in my case!) I also appreciated how interspersed throughout the stories are little bits of fact which explain discrepancies in the story through time and geography. I believe in the print version these are footnotes, but in the audio version it’s just like listening to him going off on a tangent of “oh but did you know this…” and it was great!

I think it’s also worth saying that the audiobook for this (and also Mythos) is incredible and one I would very highly recommend. Stephen is one of those people who it is so easy to listen to, and there is one bit which was just made magic for me simply because it was an audiobook I was listening to. Were it a print copy I’m sure it would be entertaining, but hearing Stephen Fry once again say “Yer a wizard, ‘Arry” in Hagrid’s voice in the middle of a very-important-factual-footnote-bit of the book while explaining the tragic orphan trope in fiction and it’s origins in myth just made me laugh. It’s worth it just for that.

So, for anyone interested in ancient myth I think this is a great place to go to. Stephen Fry is a brilliant storyteller, and much like with Mythos this was a joy to listen to. I enjoyed it just as much as it’s predecessor, and rumour has it that he’s going to be tackling another piece of myth or history in the future to add to the series. I for one can’t wait.

Review: Convenience Store Woman – Sayaka Murata

002 - Convenience Store Woman.png

 

002 - convenience store woman

★★★★★

I went in to my local Waterstones looking for a book I could read in one sitting – I really wanted a book I could just binge. I will confess I didn’t actually look at this book myself, it was my sister who picked it up and said “this seems to be your level of weird” that ended up winning me over. Let me say now, she’s good at picking books.

Convenience Store Woman follows Keiko Furukura – a woman in her mid-30s who has worked part time in a convenience store for the last 18 years, much to the dismay of her family and few friends. We find out very early on in the book that Keiko has never been a “normal” woman by societies standards; she’s practical, needs routine, and takes social cues and conversational tactics from other people around her. As a child we see her getting told off for her way of doing things, and her natural response was to silence herself and observe, acting through imitation of her peers and putting on a facade of normality to please her family. As a 36 year old woman in her society, it’s expected of her at this point of her life to be married, have children, have a full time job – or at least actively be searching for them – but that’s not what Keiko wants. All Keiko wants is a quiet life, she’s happy being her and she doesn’t want to change for anyone; not her family, not her friends. She wants to exist in her bubble of routine.

In an effort to appease her friends and family, both of which she has been lying to in order to get them off of her back, she ends up in a very bizarre situation with an ex-coworker who is absolutely infuriating, but similar to her in a number of ways. Where she finds comfort and purpose working at the shop, he doesn’t want to conform to society and lashes out. But Keiko, being her wonderful self, sees it almost as an experiment and reacts in the most incredible ways.

I won’t say too much more about the plot, because at just over 150 pages, I don’t want to ruin this for anyone who wants to read it.

My first impressions of Keiko as a character were that it was an almost perfect representation of someone who is both on the autism spectrum and is completely asexual – something you don’t get a lot of in fiction, especially from a female protagonist. Her understanding of humans and relationships, how she mimics people in social situations to appear “normal”, her need of routine and guidance and rules. I loved her as a character, and I identified with her enormously. I honestly could have read 200 pages more of her day-to-day in the convenience store because she’s just so wonderful.

So, it was very easy for me to give this book 5 stars, if only because Keiko was a joy to have in my life for a couple of hours while I read this. If you want a good representation of female autism in fiction, I’d highly recommend this!

Review: European Travel for the Monstrous Gentlewoman – Theodora Goss

059 - European Travel for the Monstrous Gentlewoman

059 - European Travel for the Monstrous Gentlewoman

Rating – 4*

After reading the first book in this series and loving it, I had to immediately pick up the second in the series. Now, I’ll admit I was a little intimidated when I saw the size of this (700 and something pages!) but I somehow read this book in 2 or 3 sittings. I just couldn’t put this down.

Just to apologise in advance, this may contain spoilers for the first book, even though I am trying my best to make it spoiler free!

This book picks up where the previous left off, the characters are just as wonderful – if not more so – than they were in the first book. All of the female characters develop more, and we are introduced to a few more amazing women including Lucinda van Helsing, Carmilla, and an interesting woman in power – Aisha. We also get to meet Count Dracula and Mina Harker, which is always a bonus! My love of Dracula made me love this book all the more. The inclusion of Carmilla, and her female lover, made me very happy. Even though this is set in the 1890s every character that met them both just accepted it, maybe it’s just their nature as they themselves aren’t exactly your stereotypical citizen of the world, but it was just really refreshing! Dare I say that I loved Carmilla in this more than I loved Carmilla?

The initial premise of this is that Lucinda van Helsing needs rescued, and much like with all of the girls in the Athena Club did at one point in the first book. Something weird is happening to Lucinda, and they need to get to the bottom of it as soon as possible. This journey takes them across Europe and out of the London that we became familiar with in the first book. And while there is a more in depth plot to this book than the first, it’s the characters that give the book momentum to move forward. The women in this are all incredible, and it’s why I loved the first book so much, and while I loved the plot it was them that made it all the better. We also get a more in depth look at their lives before they were all together, in freak shows and circuses, and all the colourful characters they knew (and new friends too!) Much like with the first book, their main motivation is understanding why their fathers created them all; it’s just taken to a new, more international, level in this.

Much like with the first book there is a strong female empowerment message, even in the characters from a different generation have the same view, mainly through the persuasion and influence from the younger girls! The women are so varied in their characteristics, and skills and it’s just so, so wonderful to see such a mish-mash of characters as friends. It makes me very happy.

Needless to say this has very easily become one of my favourite book series. I really can’t wait for the third and final book to tie all the loose ends in this up. I just can’t express how much I love this series, and a third book is going to be bittersweet when it’s finally released because I don’t want this series to end, but equally I can’t see where it goes. I think it’s safe to say I’d highly recommend this!

Review: The Geek Feminist Revolution – Kameron Hurley

054 - The Geek Feminist Revolution

054 - The Geek Feminist Revolution

Rating – 4*

I saw this collection on YouTube a few years ago and knew I needed to get my paws on it, so when I saw it in my local Waterstones I snatched it up without hesitation.

This book is a collection of thought provoking, feminist essays, focusing on female representation in geek, sci-fi and pop culture. There is such a variety of content in here, and as someone new to Hurley’s work I found every essay interesting and enjoyable. I’m aware that some people who are long time followers of her blog have found this collection repetitive.

I found the writing easy to read and follow. She has a way with words that makes the content really engaging, and it makes it all the better when I really agree with what the author is saying – which in this case I did. So much of the content rang true with me that it made for uncomfortable reading, uncomfortable in the sense that it hit far too close to home!

One thing I loved about this is how she addressed her own faults and privilege. She discusses intersectionality well throughout, and is aware that this is a fault of her own and knows the importance of hearing voices from minority groups. One of my favourite essays in the collection covers the problem of double standards in literature, how male protagonists can be anything they want to be and far more complex than a female protagonist. Female protagonists have to fit in to far more societal “norms” than a male counterparts, and in general have far more complex story arcs – and those arcs focus around the same tropes.

Overall I really enjoyed this collection. For me it was a really new perspective on feminism, and one that I’ve thought but never been able to vocalise coherently. The reason this gets a 4* opposed to a 5* is that, as I’ve found with a lot of essay collections, there is an element of repetition. Repetition in an essay collection is, in my mind, inevitable due to their nature. In being able to put them in a collection there has to be a common theme, and that just naturally going to involve repetition. I feel that if I hadn’t binged on them maybe it would have been much less of an issue for me as a reader.

I’d definitely recommend this to anyone who is interested in a new take on feminism, especially anyone interested in feminism in literature. It’s a breath of fresh air in and amongst a lot of essay collections on the same overarching topic, and has really built up my appetite for more essay collections in the future.

Review: The Strange Case of the Alchemist’s Daughter – Theodora Goss

058 - The Strange Case of the Alchemist's Daughter

058 - The Strange Case of the Alchemist's Daughter

Rating – 4*

I saw this book, and the sequel, on offer on Amazon and I have to admit, the premise fascinated me so I picked it up. Sometimes I love picking a book up on a whim because you go in with no expectations and can only be surprised!

This story follows Mary Jekyll, the daughter of Dr Jekyll, her mother has just died and she is penniless. While sorting through her mothers affects she comes upon some interesting facts about her fathers mysterious past. In dire straits, she stumbles upon some interesting information about a Mr Hyde – and takes it to the only man who will know what to do with it. Sherlock Holmes. Needless to say this premise is incredible, it sounds very bizarre but it works.

Every character in this book is the progeny of a famous “monster” in literature, and throughout the book we’re introduced to a band of girls alongside Mary –  Diana Hyde, Justine Frankenstein, Catherine Moreau and Beatrice Rappaccini. All of these girls/women have been created through experimentation (and even if you haven’t read Frankenstein, or the Island of Doctor Moreau, you get enough backstory to understand their characters). The title of this book is clever, because while we focus primarily on Mary, every one of these women is an Alchemist’s Daughter, and we get all of their back stories. Alongside Sherlock and Watson, this group of unlikely friends uncover something a lot deeper and darker than they were anticipating.

All of the characters in this are fantastic, feisty and feminist. These are the female protagonists I want in literature – especially young adult literature. None of the women in this book conform to gender stereotypes, they’re politically involved and vocal about women’s rights. Often throughout the book there are lines like “It’s the 1890s, and we’re thoroughly modern women” and I just loved that.

An interesting technique is engaged in the writing of this, and it’s that the characters interject in the middle of a chapter, giving their thoughts and essentially “arguing” with each other. In the physical book I’m sure this is something that can be glossed over/ignored, but actually I listened to this as an audiobook alongside the eBook, and it added a really fun insight in to the characters before you fully knew their stories! I can understand this technique isn’t for everyone, but for me it was just a little bit of fun and it did add to the narrative.

I absolutely loved this, I loved it so much I promptly purchased the second in the series (and read it immediately after) because I needed to know what happened next. It was just so much fun – I can’t actually explain how much I enjoyed this.

If you want some badass women in the late 19th century with a good story and also easy to read – give this some consideration because it’s fun, and who doesn’t like a bit of fun now and again?

Review: Liminal – Bee Lewis

055 - Liminal

055 - Liminal

Rating – 4*

I will start by saying this was one of my most anticipated books of 2018 – ever since I read the blurb in Salt’s 2018 releases catalogue I knew I wanted to read this and I’ve been waiting, and waiting until I could get my hands on it. Thankfully their website had it available a few days pre-release so I snaffled it up as soon as I saw it. (PS: Check out their website, amazing books, free UK delivery, I’m not sponsored – I wish I were – I just love their ethos, their catalogue, and I want more people to support one of my local publishing houses!)

This book follows the story of Esther – a young woman who has had a rather difficult start in her life. We know early on that she’s had a leg amputated, and the story as to how this came about is one of the many threads of this book. Esther and her husband, Dan, have had a pretty grim few months and decide to move to a small village called Rosgill in the Scottish Highlands – but we find that this young couple have a far from happy marriage. The story spans a week, from their first Friday in the highlands, to a very interesting Easter weekend just a week later.

I’m going to be honest – the first 50 pages of this book I wondered if I hyped it up too much. I wasn’t connecting, the characters felt wishy-washy, it felt overly descriptive and I’m so glad I persevered because oh my gosh – this book just crept up on me and once I hit around page 75, I didn’t want to put it down. A lot of the description comes from nature and the environment, the way the surroundings are put across – and once I got in to it I found that charming, whimsical and at times quite dark and unsettling. The way this story evolved I wasn’t expecting, and became increasingly involved in how it was going to develop.

I had a lot of issues with the relationship in this book, which was my primary issue but then I realised that was intentional. This isn’t meant to be a fairytale romance, it’s meant to be an unhealthy relationship and as the book progresses and Esther grows a backbone it becomes so, so much more enjoyable to read. Her history with her parents, her own impending motherhood, the relationship with her husband, and with the mysterious stranger – she develops over this 250 page book in a way I wasn’t expecting.

There are a lot of parallels and themes being pulled on from mythology and classical literature, especially Ovid’s Metamorphoses. There are a couple of mentions of it throughout but there are also a lot of more subtle references; Esther is undergoing a metamorphosis of her own over the course of this book.

I’m so glad I persevered. And I would encourage anyone to persevere with this because where it ends up is a surprise – I anticipated a few things but not the ultimate finale. I think this book was beautiful, and unsettling. Ultimately I really, really enjoyed this. Salt have pulled another blinder out of the bag with this book (again, not sponsored, I purchased this book with my own money) and I can’t recommend it highly enough if you’re in the mood for a slow building, gothic story set in the wilds of Scotland – and frankly, who wouldn’t be?

 

 

 

Review: Everything Under – Daisy Johnson

047 - Everything Under

047 - Everything Under

Rating – 4*

This is the first, and probably the last, book on the Man Booker 2018 longlist that I’m going to read. I’m not going to go in to why I’ve fallen out of love with the Booker, I think enough people have discussed that currently, what I am going to talk about though is this incredible, and ambitious, debut novel.

I picked it up the day before the longlist was announced as the few pages I read in the bookshop were absolutely beautiful and I knew I had to read it.There are so many things I love about this book, so many. I think a lot of people will be put off by the fact it’s on the Booker longlist, and even those who aren’t I think may not enjoy it all that much. It’s very traditionally “Bookerish” in that there are a lot of things going on, and a lot of literary devices which just ramp it up a gear (a lot of people may say those little techniques mean the book is pretentious, I personally think if done right it just makes for good reading).

Reading this book is like being in a constant state of flux where nothing is entirely certain. Johnson in this book plays with so many things both with writing style (from first, second, and third person narratives from the same character) to family, gender and identity in all the characters. Language is a key theme and that in itself is played with fluidly, the main character and her mother living a very isolated life during her childhood and developing their own, made up language. The fact that Gretel and her mother lived in a river community is fascinating in and of itself, but it also leads to another fluid component of the narrative in that her mother doesn’t like to be stagnant and stay in one place too long.

It’s taken me a couple of days to fully digest this book and process what I read and thought about it because for a slim thing of under 300 pages it packed a punch with the content. On contemplating I realised there are so many parallels with fairy tale and myth (not only is the main character called Gretel, but there’s a recurring theme of breadcrumbs and connecting ideas), there are themes of identity and loss and abandonment. And all of the little things done with language, this book is of itself a love letter to language and words – it’s about the power of words and it’s oh so incredible.

Parts of this book genuinely made me pause and have to go back on what I read to check I read it correctly. I didn’t see any of the twists coming and I loved that.

Ultimately, I’m a very happy woman that I read this book, and that I picked it up before it became a bit less exciting because it was longlisted for the Booker. I think had I not saw this in a bookshop prior to the longlist, I wouldn’t have picked it up because of that and that’s a shame, and I think it says all too much about how contrived the Booker has become! I’m going to be thinking about this book for a long time, and I’d highly recommend it.