Review: The Falconer – Alice Thompson

044 - The Falconer

044 - The Falconer

Rating – 4*

Alice Thompson’s books have yet to disappoint me – while The Falconer is by no means one of my favourite of her books it was still amazing. I can’t believe I’m going to say these words but it had echoes of Daphne du Maurier, and I liked it.

Thompson’s books are generally small in stature but pack quite a punch. The Falconer is only just over 150 pages and I felt it was the perfect size for the content. While it tied up a lot of things, some of it was left open and I think that fits well with the atmosphere of the book. We as a reader are meant to have questions and I felt okay with that. I felt this required quite a bit of attention, but that’s not a bad thing, I just didn’t want to miss anything because it was so intricately written.

Being small, I’m not going to go too much in to the plot. But essentially this book follows a woman called Iris, who has applied under a pseudonym for a job as a personal assistant to the Undersecretary of War to find out what happened to her sister who previously had the same job as died in rather unusual circumstances. The year is 1936, and given that one of the characters is the Undersecretary of War you can expect some background happenings and undertones towards the outbreak of the Second World War.

As I alluded to previously, there are some strong similarities to not only Rebecca, but quite a lot of du Maurier’s body of work, especially in the atmosphere that Thompson has created. The similarities to Rebecca are no mistake in my opinion, it feels quite deliberate. Both books are set in large country homes and follow female protagonists trying to both fill the void and find out what happened to their predecessor who died in mysterious, unspoken circumstances. I also feel that there are echoes of Jane Eyre – which did inspire du Maurier – with the presence of The Mad Woman in the Attic. The more I sit here trying to compare, the more comparables I’m finding and frankly I love it.

Anyone who has followed my blog knows how I love du Maurier, and how I usually loathe anything that has the tagline of “echoes of du Maurier” but because this book didn’t come with that caveat I went in to it open minded and came out the other side pleasantly surprised. My only note to anyone thinking of picking this up is do it in the Autumn or Winter on a cold night under a blanket, because I think my enjoyment of it was impacted by it being 33°C outside and it sort of reduced the atmosphere of it for me!

I have a couple more Alice Thompson books left to read and I really, really cannot wait to finally get around to them.

Review: A Guide to Being Born – Ramona Ausubel

029 - A Guide to Being Born

029 - A Guide to Being Born

Rating – 2*

This is one of those books which has been sitting there, itching to be read, for a number of years. I think I bought this way, way back on a friends recommendation and have had such high hopes for it since that I just didn’t want to pick it up – it wasn’t quite the right time.

I think I may have gone in to this book with expectations far too high because, well, I didn’t enjoy it. Ausubel’s writing is beautiful, there’s no escaping that. How she uses language, her turns of phrase, her imagery and atmosphere is incredible but the actual stories as separate entities? Those I didn’t enjoy so much.

So many reviews of this collection say that they (as readers) were swept up in her worlds, and loved the creativity and whimsy of what she created. Said that stories in here were beautiful. For me, I didn’t get that. Some of the stories physically repulsed me – and I get that that was the intention, to blur those lines between reality and fiction, to have questionable ethics and plots to make you think. But, honestly, some of it for me went too far over the line for me to enjoy.

I so wanted to love this book, but in the end I carried on reading out of a sense of obligation. Not because I necessarily wanted to. I hoped – fruitlessly – that I would find that story in here, that one that made me forget all the faults and issues I had, the one that swept me up and made me love this collection as everyone else on my GoodReads friends list seems to. But it didn’t happen. The stories did get better, but not enough for me to recall them at any given moment – never mind a week after the event in a review! And the stories I do remember I don’t particularly wish I could, I wish I could erase them from my memory.

As I said, Ausubel is clearly a talented writer to evoke this emotion from me – because I don’t think I’d feel so passionately about a book being packed full of stories I disliked if I hated the writing. I’d have just thrown it to one side and forgotten about it. But, with this book, I didn’t feel I could do that. Only go in to this book with a strong stomach and preparation that it isn’t quite the ‘Cath Kidston’ of short story collections like many of the reviews make you believe.

Review: The Gloaming – Kirsty Logan

015 - The Gloaming

015 - The Gloaming

Rating – 5*

I am so, so excited that I was able to receive an ARC of this from NetGalley in exchange for a review. The Gloaming will be published by Harvill Secker on April 19th – and I’m going to urge anyone reading this to pick it up because it is gorgeous. Much like with all Kirsty’s previous books it focuses on Scottish folklore and queer themes – lesbian mermaids. Need I say any more? But it has been one of my most anticipated books of 2018, it didn’t let me down, it didn’t suffer with Second Novel Syndrome – if anything I may love this just a little bit more than The Gracekeepers.

I had very high hopes for this book ever since I saw Kirsty talking about it on Twitter and it didn’t disappoint. It focuses around the Scottish myth of Selkies and deals with it in a much more tasteful way than my last encounter with a book which revolved around the myth. I’ve loved everything about it, and while it wasn’t what I was expecting it was still absolutely gorgeous.

The book follows the story of Mara Ross and her family. They live on a small, unnamed island off the coast of Scotland and it’s a magical, but dark place. Her family are haunted by many things, in a house that’s not quite right on an island which just seems to be filled with ghosts. It felt a lot more grown up, a lot more rounded than her previous novel – the characters were more real and the relationships between them also felt very believable. The relationships between parents and children, sisters, lovers; all of them felt real.

Something else I loved about this book is the nod to her short stories. I loved how she wove things like The Rental Heart in to this so seamlessly, and how that in this slightly fantastical reality it was believable. It also made me want to go back and reread her entire back catalogue – so keep an eye out for reviews of me rereading her books!

Honestly, I cannot praise this book enough. It was absolutely gorgeous and I cannot wait to get my hands on a physical copy in April. If you have a chance to get your hands on this, do, and let it wash over you because it’s beautiful. I read it in one sitting, on a rainy Saturday afternoon, and come the end I wanted to read it all over again. I feel so lucky that I was able to read this 2 months before release, and it’s genuinely one of the books I have been most excited for this year. I can’t wait to share it with my friends.

Review: The Seamstress and the Wind – César Aria

030 - The Seamstress and the Wind

Rating – 2*

I feel that this probably wasn’t the best book to introduce myself to Aria’s work with. César Aria is one of the most prolific South American authors there is – he has over 80 published works in his native Spanish, which are slowly being translated in to English. I own the three published by & Other Stories and on reading reviews, I really think this was not the one to start with.

To start, the first chapter felt more like an introduction. I found myself flipping through to see if I’d missed something or if I had pages missing, but no, it’s just a very incoherent first chapter to this incoherent story. Coherence definitely isn’t Aria’s thing, and neither is editing. I’ve been reading about him and apparently he just writes – never looks back, never edits, and sweet mother of Merlin this needed an edit. There wasn’t much mention of the seamstress, nor of the wind. What the very brief description on the inside of this book promised was apparently a blurb for a different book because I didn’t get any of that.

There were so many things I disliked about this – transference of women like property and then casual rape to name just a small portion of what made me uncomfortable. I love weird books, I love magical realism, but this just felt like a poor imitation to me. I think it could have been good, had it have been edited. Also, I felt that there wasn’t really much plot, it was more of a rough draft or a proposal sent to a publisher who never got around to damn well editing it!

The only redeeming quality of this book, and something which means I will pick up the other two books by Aria that I own, is the writing style. While I found the absence of plot, soulless characters, and momentary WTF moments awful the writing – on the whole – was beautiful. When describing the scenery, or even some minute things that were barely worthy of writing about, I was actually quite drawn in. It was quite dream-like in some ways, and parts of it did read like a fairy tale. For that reason alone, this book gets one extra star from me. Beautiful writing doesn’t do it for everyone, it certainly doesn’t redeem things for anyone, but for me it actually made me finish the book – not that it was long at 138 pages. Had it been even 200 pages, I think I may have DNFed it.

Frankly, this is one of the worst books I’ve read this year. Up there only with The Blind Assassin. As I said, I will try some of Aria’s other works that I have as I have read other reviews and it seems that this maybe isn’t the best place to start. I’m really disappointed if I’m honest, because I so hoped I was going to love this!