Adam Bede was Eliot’s first published novel and that youth in her writing is tangible throughout. But like most debut novels, what it lacked in literary rigour, it made up for with passion in the writing. This was, I felt, a novel which the author put her heart in to and I really, really enjoyed it. The more I read of Eliot, the more I love her work, and I found it very difficult to find fault with this because I just love every word.
It has echoes of Far From the Madding Crowd in the start – maybe because it’s a quiet farming community – and pre-dates it by 20 years. For me, I preferred Eliot’s take on the quiet farming town life to Hardy’s, Eliot was a lot more brutal in plot and her characters were far superior. While Adam is the titular character of this novel, Hetty Sorrel is definitely equally as much of a main character, and the side characters are equally as rich and full of life – something which I have found a theme across all of the work of Eliot’s I have read so far.
The plot is quite sparse in the first half, it is instead full of life and the hustle and bustle of everyday village life. We follow the hard-working Adam, and he’s quite a dull man, but is diligent and, unfortunately for him, madly in love with the narcissistic Hetty – who is aware of his feelings but does not reciprocate. Hetty has longings for the finer things in life and desires to get away from the village; this is a common theme among books of the era and I imagine it was a (sadly) common theme in reality. Hetty was definitely the shining show of this book, even though intensely dislikeable in terms of how she treats Adam, I empathised with her and felt her pains, especially in the second half. If it wasn’t for the first half, where as a reader you build a relationship with the people of this village, that intense building of character made the second half hit me, as a reader, so much harder. I don’t want to spoil it, so I urge you to be patient if you decide to try this and work your way through the slow burn of character building in the first 300 or so pages.
One thing I’m noticing about Eliot’s work is her focus on religion – in Daniel Deronda she focused heavily on Judaism. In this book, she focuses in on the Methodist faith with the character of Dinah, and in part Adam’s brother Seth. I find the insights in to religion in different periods of history really interesting, and while some people found this book a little preachy I actually found it really interesting.
While not as enormous as Daniel Derdonda, or indeed Middlemarch, this book is nonetheless incredible for very different reasons. I find it hard to do anything but give a George Eliot book 5* now, I really do. So naturally, this was a 5* read. After a really pretty bad beginning with Middlemarch (which I must reread this Summer, after reading nearly all the rest of her work this year!) George Eliot has fast become one of my favourite authors of all time – and I intend to finish her bibliography this Summer and do a bit of a spotlight on her.
I leave you with parting words: do not judge this book by its cover because – frankly – this edition is hideous; just do not let that detract from what is inside.